https://usedelectricguitars.org Fri, 22 May 2026 03:39:43 +0000 en-CA hourly 1 https://wordpress.org/?v=4.1.1 https://usedelectricguitars.org/2023/06/08/casio-dg-20-digital-guitar-rhythm-machine-from-japan/ https://usedelectricguitars.org/2023/06/08/casio-dg-20-digital-guitar-rhythm-machine-from-japan/#comments Thu, 08 Jun 2023 14:23:47 +0000 https://usedelectricguitars.org/2023/06/08/casio-dg-20-digital-guitar-rhythm-machine-from-japan/













CASIO Digital Guitar DG-20 used. Comes with genuine shoulder strap. Operation has been checked. There is no problem in the operating environment with AC adapter. Please check the pictures as this is a used item and there are scratches and scuffs. If that, please let us know within 3 days you got the item.

]]> https://usedelectricguitars.org/2023/06/08/casio-dg-20-digital-guitar-rhythm-machine-from-japan/feed/ 0 https://usedelectricguitars.org/2020/12/20/boss-rc-10r-rhythm-loop-station-pedal-free-2-day-ship/ https://usedelectricguitars.org/2020/12/20/boss-rc-10r-rhythm-loop-station-pedal-free-2-day-ship/#comments Sun, 20 Dec 2020 13:57:54 +0000 http://usedelectricguitars.org/2020/12/20/boss-rc-10r-rhythm-loop-station-pedal-free-2-day-ship/





It may be missing its original packaging or inserts or show very slight signs of use. Boss-RC-10R Rhythm Loop Station Pedal. Combining song-based looping and organic rhythms in a compact package, the RC-10R brings fresh inspiration to live performances, songwriting sessions, and daily practice. This next-generation Loop Station is a real-time creation machine, enabling you to develop spontaneous music that moves and grooves with two unique song sections, intros/endings, and rhythm fills. Onboard controls and visual loop indicators provide easy, self-contained operation, while expanded control is possible with external switches and MIDI. A vast rhythm library is on hand to cover nearly any music genre, and you can even import your own rhythms to personalize the RC-10R for specific songs and styles. Next-Generation Loop Station for Modern Song Performers. BOSSs famous Loop Station products are the leading loopers in the world, with a wide range of models that support the unique creative needs of all types of musicians. The RC-10R introduces a new breed of Loop Station that draws inspiration from popular modern performers who incorporate percussive rhythms with song-style looping. Designed for in-the-moment music creation, the RC-10R gives guitarists and singer/songwriters a unique, free-flowing tool for developing ideas and making stage performances more dynamic and compelling. A Song-Based Looper and Smart Drum Machine, All in One. The RC-10R brings loops and rhythms together in the most sophisticated and interactive way yet. In contrast with the more basic guide rhythms in other Loop Stations, each of the RC-10Rs rhythms have complete song structures with separate parts. The two-track loop engine works in a serial fashion and is perfectly synced to the rhythm, allowing you to capture independent song sections with their own unique rhythmic backing. Two fill variations bring natural energy when transitioning between sections, while intro and ending fills let you start and finish pieces in an organic way. Top-Quality Rhythm Sounds and Organic Grooves. The RC-10R is ready to take on whatever music you play, from rock, pop, and acoustic to Latin, jazz, electronica, and beyond. There are over 280 onboard rhythm styles to choose from, all with natural, organic grooves to support your music. And if you dont find what you need inside, simply import your own SMF rhythms with dedicated Mac/Windows software and store them in 50 user locations. Whatever style you choose, you can easily change the sonic flavor with 16 different kits, instantly transforming a groove from heavy rock to light percussion and everything in-between. Adapts to Your Creative Approach. While the RC-10Rs loop and rhythm engines work together in complete harmony, theyre also designed to work just as well apart. Youre able to build two independent loops with no rhythmic backing at all, perfect for creating stripped-down song performances and evolving ambient soundscapes. Its also possible to use the RC-10R as a foot-operated drum machine with real-time control over song sections and fills, making it an essential partner for stage accompaniment, jam sessions, and practice. Expanded Control for Power Users. With its interactive displays and multi-function controls, the RC-10R is a standalone powerhouse. But some users crave even more control, and the RC-10R delivers. To start, theres a jack for connecting up to two footswitches or an expression pedal, providing extended control of stop, undo/redo, loop volume, and other functions. Going further, full MIDI I/O is provided on space-saving mini TRS jacks, opening up a multitude of direct-access functions and sync options with other MIDI devices. BOSS Loop Stations are renowned for their great sound quality, and the RC-10R offers the best to date. Its loop recording engine features 32-bit AD/DA and 32-bit floating-point processing, providing audio performance that rivals the very best studio gear. And like all Loop Stations, its possible to keep the dry signal 100-percent analog to preserve your natural core tone. Optimized Sound with Any Setup. Electric guitar and rhythm have different amplification needsguitarists usually rely on their amp to color their sound, while a rhythm machine needs a clear, full-range system to sound its best. The RC-10R has you covered, allowing you to send the looper and rhythms to discrete outputs and separate amp systems. But in those situations when you cant run two amps or just want a simpler setup, the RC-10R has a neat trick up its sleeve. With a variety of unique tone filters, youre able to optimize the guitar and/or rhythm sound for amplification through a single system, whether its a guitar amp, PA system, or studio monitors. Boss-RC-10R Rhythm Loop Station Pedal Features. Next-generation performance tool combining song-based looping and dynamic rhythms in a small footprint. Cover nearly any genre with over 280 preset rhythm styles that include two unique sections, intro/ending fills, and two transition fills. Sixteen versatile drum kits with high-quality sounds from the BOSS and Roland rhythm libraries. Stereo looper engine with six hours of recording time and class-leading 32-bit AD/DA and 32-bit floating-point processing. Serial two-track operation for building loop performances with two independent song parts. Two circular indicators display loop and rhythm playback status. Simple operation with informative LCD and intuitive interface. Onboard storage for 99 phrase memories and 50 user rhythms. Selectable output filter to optimize guitar and rhythm sounds for a guitar amp or full-range sound system. Support for expanded control via external footswitches, an expression pedal, or MIDI. Full MIDI I/O provided with space-saving mini TRS jacks (BMIDI-5-35 adaptor cable available separately). Download additional rhythms and WAV loops at BOSS Tone Central. Mac/Windows software for importing WAV loops and user rhythms in SMF format. Prymaxe is a family owned and operated business created by musicians, for musicians. What started out as a small vintage guitar store in New Jersey has quickly become the go-to online shop for musicians all over the world. With the largest selection of in stock effects anywhere and an ever-growing offering of the finest guitars and amps, Prymaxe is truly a one-stop shop for all of your tone needs. Whether you’re a seasoned touring musician or just beginning your quest for the perfect tone we’re here to help you every step of the way. When you place an order at Prymaxe, you can rest assured that your item will be carefully packaged. If you need an order immediately, please let us know and we’ll try our best to accommodate your request. If an item is not received by us within the 30-day window, the package will be refused. Demo (Like New/Gently Used/Open Box) items must come back in the same condition they were sent to you, with all included materials, if applicable. Our 30-Day Satisfaction Guarantee covers brand new and demo (like new/gently used) products only — it does not cover used and clearance products (see below). It also does not cover items in the? What is NOT Returnable? All Used and Vintage items come with a 48 hour approval period. What is NOT Returnable. Accessories this contains all pickups, strings, picks, pedalboards, tuners, etc. Clearance Items (Clearance items are clearly marked with “CLEARANCE” in the title) Special/Custom Orders. Please do not write on or attach tape or labels to the product box — use a packing box to return the product. Please include the required return form in the box. What if I receive a defective or incorrect item? If the item was damaged due to user fault or error. When will I get my replacement item? If it does not arrive within 30 days, we will refuse the package. Why was my return refused? There are a number of reasons your package could be refused by us, including. It was a new/demo item received outside of the 30-day window. It was a clearance, accessory, or other non-returnable item. The item shows signs of wear. Products that malfunction under normal use. What is NOT covered. Used (non-demo), vintage, and clearance products. Items with clear signs of abuse (up to Prymaxe’s discretion). We reserve the right to end this promotion at any time. Professional Packaging: We’ve sent over 100,000 packages all around the world and pack each order with the buyers best interests in mind. Demo Videos: Our in-depth video product demonstrations bring our showroom in to your living room. To thoroughly show what a product can do, we demonstrate it in both a live band situation and by itself in full HD quality. These demos are an invaluable resource while searching for the perfect piece of gear that will flawlessly work with your setup. 60 Day Price Match Guarantee: No one beats a Prymaxe deal and we will never lose a sale due to price. If another authorized dealer has the product you’re looking for listed for less we’ll beat that price, no questions asked! After the sale you are guaranteed to have the lowest listed price on the internet for 60 days. International Customer Care: We love and truly appreciate all of our International customers. Also, we are here to assist you with any special requests you may have and offer special bulk pricing for larger orders. The item “Boss-RC-10R Rhythm Loop Station Pedal FREE 2 DAY SHIP” is in sale since Tuesday, September 1, 2020. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Parts & Accessories\Effects Pedals\Loopers & Samplers”. The seller is “prymaxevintage” and is located in Cranford, New Jersey. This item can be shipped worldwide.

• Brand: Boss
• Model: RC-10R
• To Fit: Acoustic Electric Guitar
• MPN: RC10R

]]> https://usedelectricguitars.org/2020/12/20/boss-rc-10r-rhythm-loop-station-pedal-free-2-day-ship/feed/ 0 https://usedelectricguitars.org/2020/01/20/original-1958-gibson-les-paul-standard-byrd-burst-from-the-amazing-rhythm-aces-3/ https://usedelectricguitars.org/2020/01/20/original-1958-gibson-les-paul-standard-byrd-burst-from-the-amazing-rhythm-aces-3/#comments Mon, 20 Jan 2020 23:40:53 +0000 http://usedelectricguitars.org/2020/01/20/original-1958-gibson-les-paul-standard-byrd-burst-from-the-amazing-rhythm-aces-3/













Add Me to Your Favorite Sellers. Olivia’s Vintage would like to present this original 1958 Gibson Les Paul Standard that was modified in 1975-76 by Tom Keckler Strings & Things/St. Blues Guitar Workshop in Memphis at the request of Barry “Byrd” Burton of The Amazing Rhythm Aces, and who was also a session player with Sam Phillips at Sun Studios in Memphis. Byrd had very specific preferences for his guitars, and had Tom modify this original’58 Les Paul to his liking. The neck was slimmed down for a more narrow profile as well as narrowing the headstock before adding Les Paul Custom style binding and an ebony fretboard with block inlays. The neck depth is. 886 at the 1st fret and. 990 at the 12th fret. The nut width measures at 1.575. The entire guitar was refinished along with a serial number stamped into the back of the headstock that can only be speculated as the original serial number. The finish has aged to an incredibly unique color that really shows off its flame maple top which is unlike any other Burst. It has a very nice straight neck with great frets. The pickups are 1962-65 Patent # sticker pickups with the original decals removed and PAF decals carefully placed. This unique Les Paul has been left the way it was since 1976 when it was one of Byrd’s main guitars used live and in recording sessions. It is seen in a YouTube video from Austin City Limits in 1977 where The Amazing Rhythm Aces are playing “The End Is Not In Sight”. This is great documentation indicating when changes were made to the guitar along with original 8X10 photo prints, and copies of Byrd’s personal journal entries where he logged the process to the day, from December of’75 to January’76. There are three hairline cracks in the neck running parallel with the binding near the binding, but they remain cosmetic issues as the neck remains structurally sound. Two of the cracks are on the treble side of the neck (one running from between the 1st and 2nd fret area down between the 2nd and 3rd fret area, and the other running from between the 2nd and 3rd fret area down bewtween the 4th and 5th fret area), and one is on the bass side of the neck (running from between the 2nd + 3rd fret area down to the 4th fret area). There are several extra screw holes left from a B7 Bigsby, a different type of pickguard that was installed at one time along with 4 extra screw holes in the control cavity from a different plastic cover, relocated strap buttons, and a different type of bridge. All holes on the edges and top of the body were filled before it was refinished. Bridge post anchors were also installed in the top for the’70’s style tune-o-matic bridge assembly. The tuning peg holes were widened for the’70’s Grover tuning keys. The weight is 9 lbs. An original brown 5-latch hardshell case is included. There are nicks + dings and other cosmetic wear, but this’58 Les Paul remains an incredible guitar with it’s own character and documented history making it a true one-of-a-kind original Burst with a story to tell. The item “Original 1958 Gibson Les Paul Standard Byrd Burst from The AMAZING RHYTHM ACES” is in sale since Friday, December 20, 2019. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Electric Guitars”. The seller is “oliviasvintage” and is located in Carbondale, Illinois. This item can be shipped worldwide.

• MPN: Does Not Apply

]]> https://usedelectricguitars.org/2020/01/20/original-1958-gibson-les-paul-standard-byrd-burst-from-the-amazing-rhythm-aces-3/feed/ 0 https://usedelectricguitars.org/2020/01/12/more-than-a-feeling-guitar-lesson-pt-2-boston-all-electric-guitar-rhythm-parts/ https://usedelectricguitars.org/2020/01/12/more-than-a-feeling-guitar-lesson-pt-2-boston-all-electric-guitar-rhythm-parts/#comments Mon, 13 Jan 2020 04:38:55 +0000 http://usedelectricguitars.org/2020/01/12/more-than-a-feeling-guitar-lesson-pt-2-boston-all-electric-guitar-rhythm-parts/ ]]> https://usedelectricguitars.org/2020/01/12/more-than-a-feeling-guitar-lesson-pt-2-boston-all-electric-guitar-rhythm-parts/feed/ 0 https://usedelectricguitars.org/2019/08/07/original-1958-gibson-les-paul-standard-byrd-burst-from-the-amazing-rhythm-aces-2/ https://usedelectricguitars.org/2019/08/07/original-1958-gibson-les-paul-standard-byrd-burst-from-the-amazing-rhythm-aces-2/#comments Thu, 08 Aug 2019 02:30:55 +0000 http://usedelectricguitars.org/2019/08/07/original-1958-gibson-les-paul-standard-byrd-burst-from-the-amazing-rhythm-aces-2/













Add Me to Your Favorite Sellers. Olivia’s Vintage would like to present this original 1958 Gibson Les Paul Standard that was modified in 1975-76 by Tom Keckler Strings & Things/St. Blues Guitar Workshop in Memphis at the request of Barry “Byrd” Burton of The Amazing Rhythm Aces, and who was also a session player with Sam Phillips at Sun Studios in Memphis. Byrd had very specific preferences for his guitars, and had Tom modify this original’58 Les Paul to his liking. The neck was slimmed down for a more narrow profile as well as narrowing the headstock before adding Les Paul Custom style binding and an ebony fretboard with block inlays. The neck depth is. 886 at the 1st fret and. 990 at the 12th fret. The nut width measures at 1.575. The entire guitar was refinished along with a serial number stamped into the back of the headstock that can only be speculated as the original serial number. The finish has aged to an incredibly unique color that really shows off its flame maple top which is unlike any other Burst. It has a very nice straight neck with great frets. The pickups are 1962-65 Patent # sticker pickups with the original decals removed and PAF decals carefully placed. This unique Les Paul has been left the way it was since 1976 when it was one of Byrd’s main guitars used live and in recording sessions. It is seen in a YouTube video from Austin City Limits in 1977 where The Amazing Rhythm Aces are playing “The End Is Not In Sight”. This is great documentation indicating when changes were made to the guitar along with original 8X10 photo prints, and copies of Byrd’s personal journal entries where he logged the process to the day, from December of’75 to January’76. There are three hairline cracks in the neck running parallel with the binding near the binding, but they remain cosmetic issues as the neck remains structurally sound. Two of the cracks are on the treble side of the neck (one running from between the 1st and 2nd fret area down between the 2nd and 3rd fret area, and the other running from between the 2nd and 3rd fret area down bewtween the 4th and 5th fret area), and one is on the bass side of the neck (running from between the 2nd + 3rd fret area down to the 4th fret area). There are several extra screw holes left from a B7 Bigsby, a different type of pickguard that was installed at one time along with 4 extra screw holes in the control cavity from a different plastic cover, relocated strap buttons, and a different type of bridge. All holes on the edges and top of the body were filled before it was refinished. Bridge post anchors were also installed in the top for the’70’s style tune-o-matic bridge assembly. The tuning peg holes were widened for the’70’s Grover tuning keys. The weight is 9 lbs. An original brown 5-latch hardshell case is included. There are nicks + dings and other cosmetic wear, but this’58 Les Paul remains an incredible guitar with it’s own character and documented history making it a true one-of-a-kind original Burst with a story to tell. The item “Original 1958 Gibson Les Paul Standard Byrd Burst from The AMAZING RHYTHM ACES” is in sale since Sunday, July 7, 2019. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Electric Guitars”. The seller is “oliviasvintage” and is located in Carbondale, Illinois. This item can be shipped worldwide.

• MPN: Does Not Apply

]]> https://usedelectricguitars.org/2019/08/07/original-1958-gibson-les-paul-standard-byrd-burst-from-the-amazing-rhythm-aces-2/feed/ 0 https://usedelectricguitars.org/2019/04/15/original-1958-gibson-les-paul-standard-byrd-burst-from-the-amazing-rhythm-aces/ https://usedelectricguitars.org/2019/04/15/original-1958-gibson-les-paul-standard-byrd-burst-from-the-amazing-rhythm-aces/#comments Mon, 15 Apr 2019 08:19:38 +0000 http://usedelectricguitars.org/2019/04/15/original-1958-gibson-les-paul-standard-byrd-burst-from-the-amazing-rhythm-aces/













Add Me to Your Favorite Sellers. Olivia’s Vintage would like to present this original 1958 Gibson Les Paul Standard that was modified in 1975-76 by Tom Keckler Strings & Things/St. Blues Guitar Workshop in Memphis at the request of Barry “Byrd” Burton of The Amazing Rhythm Aces, and who was also a session player with Sam Phillips at Sun Studios in Memphis. Byrd had very specific preferences for his guitars, and had Tom modify this original’58 Les Paul to his liking. The neck was slimmed down for a more narrow profile as well as narrowing the headstock before adding Les Paul Custom style binding and an ebony fretboard with block inlays. The neck depth is. 886 at the 1st fret and. 990 at the 12th fret. The nut width measures at 1.575. The entire guitar was refinished along with a serial number stamped into the back of the headstock that can only be speculated as the original serial number. The finish has aged to an incredibly unique color that really shows off its flame maple top which is unlike any other Burst. It has a very nice straight neck with great frets. The pickups are 1962-65 Patent # sticker pickups with the original decals removed and PAF decals carefully placed. This unique Les Paul has been left the way it was since 1976 when it was one of Byrd’s main guitars used live and in recording sessions. It is seen in a YouTube video from Austin City Limits in 1977 where The Amazing Rhythm Aces are playing “The End Is Not In Sight”. This is great documentation indicating when changes were made to the guitar along with original 8X10 photo prints, and copies of Byrd’s personal journal entries where he logged the process to the day, from December of’75 to January’76. There are three hairline cracks in the neck running parallel with the binding near the binding, but they remain cosmetic issues as the neck remains structurally sound. Two of the cracks are on the treble side of the neck (one running from between the 1st and 2nd fret area down between the 2nd and 3rd fret area, and the other running from between the 2nd and 3rd fret area down bewtween the 4th and 5th fret area), and one is on the bass side of the neck (running from between the 2nd + 3rd fret area down to the 4th fret area). There are several extra screw holes left from a B7 Bigsby, a different type of pickguard that was installed at one time along with 4 extra screw holes in the control cavity from a different plastic cover, relocated strap buttons, and a different type of bridge. All holes on the edges and top of the body were filled before it was refinished. Bridge post anchors were also installed in the top for the’70’s style tune-o-matic bridge assembly. The tuning peg holes were widened for the’70’s Grover tuning keys. The weight is 9 lbs. An original brown 5-latch hardshell case is included. There are nicks + dings and other cosmetic wear, but this’58 Les Paul remains an incredible guitar with it’s own character and documented history making it a true one-of-a-kind original Burst with a story to tell. The item “Original 1958 Gibson Les Paul Standard Byrd Burst from The AMAZING RHYTHM ACES” is in sale since Friday, March 29, 2019. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Electric Guitars”. The seller is “oliviasvintage” and is located in Carbondale, Illinois. This item can be shipped worldwide.

• MPN: Does Not Apply

]]> https://usedelectricguitars.org/2019/04/15/original-1958-gibson-les-paul-standard-byrd-burst-from-the-amazing-rhythm-aces/feed/ 0 https://usedelectricguitars.org/2018/05/08/1958-supro-rhythm-master-val-trol-vintage-guitar-dual-tone-valco-sunburst-withohc/ https://usedelectricguitars.org/2018/05/08/1958-supro-rhythm-master-val-trol-vintage-guitar-dual-tone-valco-sunburst-withohc/#comments Tue, 08 May 2018 13:10:47 +0000 http://usedelectricguitars.org/2018/05/08/1958-supro-rhythm-master-val-trol-vintage-guitar-dual-tone-valco-sunburst-withohc/













Up for sale, a 1958 Supro Rhythm Master “Val Trol” in exceptional condition and in perfect working order. Weighing in at 8lbs 6oz, this is a first year model and a 100% original example save for a new bone nut and repro pickguard (original also included)! This guitar has been professionally setup here at Mike & Mike’s Guitar Bar with comfortable, low action and a fresh set of 11-50 strings. The neck has a chunky V profile that retains a fullness and heft all the way up the fretboard, filling the palm nicely and fretting easily. The fretboard sports block inlays and original slender fretwire which is in great overall shape, having been recently leveled and crowned and currently showing only a hint of wear beneath the plain strings on frets 1-3. A new bone nut has been carved for the instrument, measuring 1 11/16 in width, with ideal string spacing for easy chording and accurate lead work. On the headstock, the small, metal “Supro” badge is intact and in great shape with blue lettering. The original gold Kluson single-line tuners all turn smoothly and still hold pitch well with Supro’s signature “tulip” tuner buttons. On the body, all of the stock electronics work as they should, and the pair of single coils in oversized gold covers deliver full, well-rounded tones with a balanced EQ response and a bit of twang on the top end. The electronics are untouched, with original solder joints and Stackpole pots. Aside from a new pickguard sourced via Pickguardian, all of the original hardware is present, including the trapeze tailpiece, switch plate, switch tip, Dakaware Master Volume knob, and “lightning bolt” Brazilian rosewood compensated bridge. In terms of cosmetic wear, this guitar retains its 100% original nitro lacquer finish with a vibrant and unfaded three-tone sunburst, which shows wear through the layers of the burst and down to the bare maple around the rounded edges of the body. There is also some honest playwear through the finish along the treble side edge of the neck profile and behind frets 1-3. A previous owners ID number is also lightly written on the back of the headstock parallel with the strip tuners. Overall, this Supro presents very well with the sort of wear that comes from consistent use, and this well loved guitar has no serious or structural wear of any kind! The other noteworthy feature of this first year model is the unique way the body was routed. Most Supros from 1959 onward have a fairly extensive “swiss cheese” routing from the backside of the body, but this Rhythm Master has clean and minimal factory routes that logically follow the wiring layout. The result is a Supro that has a more solid and resonant body than 99% of the vintage examples on the market! The original hardshell case is included. The case is particularly clean, with a thatched gray exterior, white leather ends and original latches and handle. The plush red interior is in great shape too. Check out our shop “Mike & Mike’s Guitar Bar, ” and please let us know if we can answer any questions! International orders will be declared as merchandise, and the value of merchandise will be declared as the amount paid. We cannot declare anything as a gift or for a lesser value. The item “1958 Supro Rhythm Master Val-Trol Vintage Guitar Dual Tone Valco Sunburst withohc” is in sale since Saturday, July 29, 2017. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Electric Guitars”. The seller is “mmguitarbar” and is located in Seattle, Washington. This item can be shipped worldwide.

• Body Color: Sunburst
• Brand: Supro
• MPN: Does Not Apply
• Model: Rhythm Master
• Body Type: Solid
• Dexterity: Right-Handed
• String Configuration: 6 String
• Country/Region of Manufacture: United States
• Model Year: 1958

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